Nordest Museum and Exhibit Services SL is a small company that provides services to museums and cultural institutions born in 2014. It is based on the extensive experience of its director, Joan Ramon Aromí, since the 1980’s.
We propose solutions for exhibitions, museography, preventative conservation or design, based on the knowledge of institutions, materials and problems, always keeping the innovative spirit and the desire to learn constantly.
We are a company based in Barcelona that works all over Catalonia and with great international projection. This is exemplified by projects carried out in the Arabian Peninsula or India, at institutions such as UNESCO, the Qatar National Library or the Museum of Islamic Art in Doha.
Our team is versatile, able to adapt to any reality and need. We are experts in packaging, transport, handling and installation of parts. We carry out the design and production of unique elements (display cases, supports, frames, etc.) as well as the coordination of projects, equipment and strategic plans. We approach each project in its entirety, accompanying each entity individually, advising and contributing our experience.
More than 30 years of work that I love in a sector in which I believe, can give a certain perspective to know how to situate myself in these times of uncertainty. Yesterday’s patterns no longer work, new models are created and they do not wait for anyone, or you participate or you disappear.
Cultural Sense is basically consolidated thanks to the “la Caixa” Foundation, which relies on a work-oriented team. The economic boom allows us to properly structure the various services offered. I learned to understand the company as a platform for personal and professional growth for all. I understood the social responsibility of the company.
From the closing of Sistema, Construcciones Singulares S.L., Metode, Conservation and Exhibition Systems is born. The concept of service families as a competitive strategy is incorporated. This model has subsequently been used by the sector.
Probably one of the most interesting technical contributions was the first incorporation of the biological activity control service through inert gases to control the attack of xylophages, bacteria, fungi and other microorganisms. Shin Maekawa and Nieves Valentin were my teachers. We made the first inert gas showcase in Europe for the mummy “Nesi” and still maintain the oxygen values below 10ppm. We would have an R&D department. I participate in Rome in the first conference of the European Union of Cultural Heritage for small and medium-sized business. The collaboration with the architect Joan Sibina in the last stage is enriching and probably unique. “Nothing is forever” Toni Ramon dixit.
Returning from the United States, José Luis Vergara (Panorama) made the bid to propos to create the Department of Art Handling. For the first time in Spain a company dedicated to the design and production of exhibitions opens a department specialized in the handling of art. The best interventions were at the Catalonia Pavilion in Seville and the exhibition “The Andalusian Scientific Legacy” at the Archaeological Museum of Madrid. The first Art in Transit preventative conservation protocols were apply. Little mummy Nesi received an Argon continuous flow treatment pending production of the first inert gas showcase to be performed in Europe.
First at Denver University (Co) as a guest artist, then in Chicago (Il) sharing a studio with Wayne Kyecka. At Terry Dowd Inc. I learned the acting protocols in front of artists, collectors, directors, new rich, gallery owners, dealers… improvisation is not accepted, everything has to be planned.
One of the best experiences was being responsible for the transport of Sara Lee Corporation Impressionist Collection, driving the trailer, or when we picked up the pieces for auction at Sotheby’s at a Ford mansion in Detroit.
Beginning of the Biology degree at UB; I would have liked to work in work-field and laboratory. The visit to a potter from Granollers provoked a vision that will remain alive for the next 10 years.
During this period I learned about processes and languages. The co-creation of Trajecte, Associació per a la Recerca Artística in Terrassa, put us on a demanding periphery.
Before I left for the USA I would lift the oven around the piece, I was interested in the corners, the walls, the ceilings…